![]() Impressed by Italian director Roberto Rossellini's films Rome, Open City (1945) and Paisà (1946), she wrote to him offering her services as an actress. Īlfred Hitchcock directed her in three films: Spellbound (1945), Notorious (1946), and Under Capricorn (1949). She had attended so many events for the film, being asked the same questions over and over, that she once remarked, "When I die, I hope they won't show it again". For decades afterwards, there were special screenings and retrospectives of the film, often with Bergman as a guest speaker. It was nominated for eight Academy Awards, winning in the categories of Best Picture, Best Director, and Best Screenplay. After its release, the film struck a chord with wartime audiences. The actors and Curtiz were crafting the characters and story line as they went along. The script was a work in progress, with director Michael Curtiz in frequent conflict with the writers and with producer Hal B. In the early stages of making the World War II romantic drama Casablanca (1942), she and her co-stars Humphrey Bogart and Paul Henreid thought it would be an insignificant film, and all three wanted out of their commitments to the production. Hyde (1942).īergman made over 40 films in her career, many of them for American producers and directors. Following her daughter's birth, she made the Swedish film June Night (1940), and three American films: Adam Had Four Sons (1941), Rage in Heaven (1941), and Dr. At the time of filming, she was pregnant with daughter Pia Lindström by her first husband, physician Petter Lindström, and performed with her abdomen bound. In the end, she only acted in the comedy The Four Companions ( Die vier Gesellen) (1938), directed by Carl Froelich. Bergman signed a three-picture contract with the German production company UFA GmbH, intending to launch her career in German films. Selznick, who purchased the rights to the story and cast her as the female lead in the American version, Intermezzo: A Love Story (1939), with British actor Leslie Howard taking over the male lead. It brought her to the attention of producer David O. The movie that both she and historians cite as launching her international career was Intermezzo (1936) in which she shared the lead opposite Gösta Ekman. She appeared in a dozen films in Sweden before being offered work in the American film industry. She first appeared as an uncredited extra in the film Landskamp (1932) and was accepted into the Royal Dramatic Theatre of Stockholm as a scholarship student in 1933. ![]() Acting allowed her to transcend these constraints, enabling her to transform herself into a character. As a young woman, she was shy, taller than the average women of her generation, and somewhat overweight. After her mother Frieda died when she was three years old, she was raised by her father Justus Samuel Bergman, a professional photographer who encouraged her to pose and act in front of the camera. ![]() She had been preparing for an acting career all her life. Ingrid Bergman (29 August 1915 – 29 August 1982) was a multilingual, Academy Award-winning actress born in Stockholm, conversant in Swedish, German, English, Italian and French. Gösta Ekman and Ingrid Bergman in Intermezzo (1936), the film that launched her international career ![]()
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